PDF Ebook The Freedom Principle: Jazz After 1958 (Da Capo Paperback)By John Litweiler
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The Freedom Principle: Jazz After 1958 (Da Capo Paperback)By John Litweiler
PDF Ebook The Freedom Principle: Jazz After 1958 (Da Capo Paperback)By John Litweiler
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Ornette Coleman's discovery some thirty years ago that his band's music was indeed a "free thing" marked the beginning of a revolution in jazz. From the early free-form experiments, Coleman's dancing blues, and John Coltrane's saxophone cries and sheets of sound, to the brittle, melancholy modes of Miles Davis, vibrant, sophisticated new jazz idioms proliferated. In this critical and historical survey of today's jazz, noted critic John Litweiler traces the evolution of the new music through such artists as Coleman, Coltrane, Davis, Cecil Taylor, Eric Dolphy, Sun Ra, Albert Ayler, Anthony Braxton, and others. He also addresses questions such as: Is Free jazz a rejection of the jazz tradition? Are European folk classical musics altering this essentially Afro-American art? Do the principles of Free jazz provide real emotional liberation for the creative musician? This is a solid, informed guide—for new jazz fans and serious listeners alike—to what has, in many ways, been the most productive and most controversial period in the history of jazz.
- Sales Rank: #1917081 in Books
- Published on: 1990-03-21
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .75" w x 5.51" l,
- Binding: Paperback
- 324 pages
Amazon.com Review
"The quest for freedom with a small f," writes John Litweiler, "appears at the very beginning of jazz and reappears at every growing point in the music's history." But Litweiler's book is about the upper-case variety of freedom--the Free jazz pioneered in the late 1950s by the likes of Ornette Coleman, John Coltrane, Cecil Taylor, Albert Ayler, Anthony Braxton, and Eric Dolphy. The author, who has also written a fine biography of Coleman, traces the rise and multiple ramifications of this firebreathing music. His judgements have held up superbly since the book's original 1985 publication, and his thumbnail portraits and fine-tuned analyses make this an essential volume.
About the Author
John Litweiler is a director of the Jazz Instistute of Chicago, and has been a Down Beat staff reviewer since 1968.
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